|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
MANFREDI, Bartolomeo
Italian Baroque Era Painter, 1582-1622
Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself, |
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Allegory of the Four Seasons SG
c. 1610
Oil on canvas, 134 x 91,5 cm
Dayton Art Institute, Dayton
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Bacchus and a Drinker d
1500-10
Oil on canvas, 132 x 96 cm
Galleria Nazionale d'Arte Antica, Rome
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Cupid Chastised sg
1605-10
Oil on canvas
Art Institute of Chicago, Chicago
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
The Guard Room sg
Oil on canvas, 169 x 239 cm
Gemäldegalerie, Dresden
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Lute Playing Young sg
Oil on canvas, 105 x 77 cm
The Hermitage, St. Petersburg
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Cain and Abel
mk65
Oil on canvas
67 5/16x48in
Pitti
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MANFREDI, Bartolomeo
Tribute to Caesar
mk65
Oil on canvas
51 3/16x75 3/16in
Uffizi
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| MANFREDI, Bartolomeo
|
Italian Baroque Era Painter, 1582-1622
Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,
|
|
|
|
|
|
|
|
